"Exceedingly entertaining." -The New York Times "Umbrella Academy meets Tana French. Dark, claustrophobic, and beautifully written." -Andrea Bartz, author of We Were Never Here From the author of The Winter Sister and Behind the Red Door, a family obsessed with true crime gathers to bury their patriarch-only to find another body already in his grave. At twenty-six, Dahlia Lighthouse is haunted by her upbringing. Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she is unable to move beyond the disappearance of her twin brother, Andy, when they were sixteen. After several years away and following her father's death, Dahlia returns to the house, where the family makes a gruesome discovery: buried in their father's plot is another body-Andy's, his skull split open with an ax. Dahlia is quick to blame Andy's murder on the serial killer who terrorized the island for decades, while the rest of her family reacts to the revelation in unsettling ways. Her brother, Charlie, pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister, Tate, forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic facade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.

A family obsessed with true crime gathers to bury their patriarch--only to find another body already in his grave in this "moody and atmospheric" (USA TODAY) thriller. Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, twenty-six-year-old Dahlia Lighthouse is still haunted by her twin brother Andy's disappearance a decade ago. After several years away and following her father's death, Dahlia returns home, where the family makes a gruesome discovery: buried in their father's plot is another body--Andy's, his skull split open with an ax. Dahlia is quick to blame Andy's murder on the serial killer who terrorized the island for decades, while the rest of her family reacts to the revelation in unsettling ways. Her brother, Charlie, pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister, Tate, forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic facade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin in this "gorgeously wrought and deliciously creepy...twisted delight" (Kathleen Barber, author of Follow Me).

In this "twisty, propulsive thriller" (Robyn Harding, internationally bestselling author) from Megan Collins, two sisters-in-law are at painful odds when the man who connects them--the brother of one, the husband of the other--is accused of a brutal crime. Julia and Sienna Larkin are sisters-in-law, connected by Julia's husband and Sienna's brother, Jason. More than that, the two are devoted best friends and business partners, believing that theirs is a uniquely unbreakable bond. To Sienna, her protective brother can do no wrong, and although Julia knows he's not perfect, they've built a comfortable life and family together. Recently, Jason has been putting in long hours to secure a promotion at work, so when his boss is found brutally murdered--his lips sewn shut--the Larkins are shocked and unsettled, especially as local gossip swirls. A few days later, Julia and Sienna's lives are upended when Jason gets into a car accident and is placed in a medically induced coma. Worse, the police arrive with news that he's the prime suspect in the murder investigation. With Jason unable to respond--and with Julia and Sienna working to clear his name--the two women find their friendship threatened for the first time: Sienna staunchly maintains her brother's innocence, but as their investigation uncovers a complicated web of secrets, Julia is less sure she's willing to defend her husband. With her signature "moody and atmospheric" (USA TODAY) writing, Megan Collins has crafted a rich, gripping story that explores just how fragile our closest bonds can be.

A "haunting debut: suspenseful, atmospheric, and completely riveting" (Megan Miranda, New York Times bestselling author of All the Missing Girls) about a young woman who returns home to care for her ailing mother and begins to dig deeper into her sister's unsolved murder. Sixteen years ago, Sylvie's sister, Persephone, never came home. Out late with the boyfriend she was forbidden to see, Persephone was missing for three days before her body was found--and years later, her murder is still unsolved. In the present day, Sylvie returns home to care for her estranged mother, Annie, as she undergoes treatment for cancer. Prone to unexplained "Dark Days" even before Persephone's death, Annie's once-close bond with Sylvie dissolved in the weeks after their loss, making for an uncomfortable reunion all these years later. Adding to the discomfort, Persephone's former boyfriend is now a nurse at the cancer center where Annie is being treated. Sylvie has always believed Ben was responsible for the murder--but she carries her own guilt about that night, guilt that traps her in the past while the world goes on around her. As she navigates the complicated relationship with her mother, Sylvie begins to uncover the secrets that fill their house--and what really happened the night Persephone died. The Winter Sister is a "bewitching" (Kirkus Reviews) portrayal of the complex bond between sisters, between mothers and daughters alike, and "will captivate you from suspenseful start to surprising finish" (Kathleen Barber, author of Are You Sleeping).

"A haunting thriller" (PopSugar) about a woman who believes that she has a connection to a decades old kidnapping and begins a frantic investigation to find out what really happened when the victim goes missing again. When Fern Douglas sees the news about Astrid Sullivan, a thirty-four-year-old missing woman from Maine, she is positive that she knows her. Fern's husband is sure it's because of Astrid's famous kidnapping--and equally famous return--twenty years ago, but Fern has no memory of that, even though it happened an hour outside her New Hampshire hometown. And when Astrid appears in Fern's recurring nightmare, one in which a girl reaches out to her, pleading, Fern fears that it's not a dream at all, but a memory. Returning to her childhood home to help her father pack for a move, Fern purchases a copy of Astrid's recently published memoir--which may have provoked her original kidnapper to abduct her again--and as she reads through its chapters and visits the people and places within it, she discovers more evidence that she has an unsettling connection to the missing woman. With the help of her psychologist father, Fern digs deeper, hoping to find evidence that her connection to Astrid can help the police locate her. But when Fern discovers more about her own past than she ever bargained for, the disturbing truth will change both of their lives forever in this "masterful meditation on fear" (Mindy Mejia, author of Strike Me Down).

This book explores the emergence and encouragement of the new narcissus in our society and the ways in which this is portrayed in reality television. Through studies of well-known reality shows, including Toddlers and Tiaras, Hoarders, Sister Wives, Catfish: The TV Show, Celebrity Rehab with Dr. Drew and The Real Housewives, the author examines the combined effects of narcissism and consumerism, shedding light on the ways in which people are pushed to focus on their own biographies and self-promotion to the point of creating a false self within the individual and the development of a sense of dissatisfaction, dis-ease and unhappiness. Applying Freud's concept of narcissism and tracing it through the work of key social theorists including Durkheim, Lasch, Goffman, Riesman, Baudrillard and Giddens, The New Narcissus in the Age of Reality Television constitutes an insightful analysis of the modern ideology of greatness, perfection or 'being the best', that permeates society - an ideology that overwhelms and ultimately drives the individual to dissemble and project an artificial self. A compelling argument for the importance of understanding the persistence of a powerful and dangerous trait in modern society, this book will appeal to scholars of sociology, social theory and cultural and media studies with interests in reality television, celebrity culture and modern narcissism.

This book explores the emergence and encouragement of the new narcissus in our society and the ways in which this is portrayed in reality television. Through studies of well-known reality shows, including Toddlers and Tiaras, Hoarders, Sister Wives, Catfish: The TV Show, Celebrity Rehab with Dr. Drew and The Real Housewives, the author examines the combined effects of narcissism and consumerism, shedding light on the ways in which people are pushed to focus on their own biographies and self-promotion to the point of creating a false self within the individual and the development of a sense of dissatisfaction, dis-ease and unhappiness. Applying Freud's concept of narcissism and tracing it through the work of key social theorists including Durkheim, Lasch, Goffman, Riesman, Baudrillard and Giddens, The New Narcissus in the Age of Reality Television constitutes an insightful analysis of the modern ideology of greatness, perfection or 'being the best', that permeates society - an ideology that overwhelms and ultimately drives the individual to dissemble and project an artificial self. A compelling argument for the importance of understanding the persistence of a powerful and dangerous trait in modern society, this book will appeal to scholars of sociology, social theory and cultural and media studies with interests in reality television, celebrity culture and modern narcissism.

All things far away are worthy of meditation, say the authors of Tucumcari, a travel journal tracing the crazy routes backwards from hometowns to westward visions of an alternate life. Presented in essay, poems and four unabashed interviews, Tucumcari probes history's intersections of public & private demons, as well as decisions made in a family's past that alter the course of our lives. "Tucumcari takes us from where we are...to what made us who we are...to who we might have been...to who we might yet be...and back again." --Cee Williams, author of 12 Poems